New Producers Spotlight: Hunter Deorum

As our New Producers 2025 course continues here at Wolverhampton Arts Centre delivered with China Plate Theatre, we’re excited to introduce the individuals behind the creativity. Each participant brings their own unique perspective, passion, and lived experience, and we’re proud to be supporting them on their producing journey.

First up in our spotlight series is Hunter Deorum –  a Wolverhampton-based visual artist, designer, and founder of Deorum Studios.

Where it all began…

“The first cultural event I attended was the Dali Universe exhibition at the County Hall on Londons South Bank when I was around 9. I remember Salvador Dalí’s Metamorphosis of Narcissus—its surreal, dreamlike imagery absolutely fascinated me. Whilst I didn’t fully understand it then, I could sense it. It became clear to me that psychology played a prominent role in his practice deliberate or otherwise, drawing heavily on Freudian ideas to explore dreams, the subconscious, and inner conflict. That early encounter showed me how art can give shape to passions, loves, fears and desires. It sparked a fascination with how creativity can be a tool for understanding the mind, and I knew I wanted to be able to do the same with my own practice.”

A meaningful milestone

“One of the most meaningful cultural experiences I’ve had was exhibiting at the Art Expo in Wolverhampton. While it was a relatively small event, it marked a big personal milestone. I’d been struggling with imposter syndrome and ongoing health issues in the years leading up to it, and I was incredibly nervous about attending. But what I found there was the exact opposite of what I feared. In fact, every artist and audience member I spoke to was kind, encouraging, and genuinely supportive.

What made it more comfortable for me wasn’t just the art on display, but the atmosphere, shared creative energy that only comes from being among other artists. Psychologically, it reminded me how important community is in overcoming self doubt. Imposter syndrome can distort reality much like surrealist art does, making us believe we don’t belong. But that weekend proved otherwise. It showed me how cultural spaces aren’t just about what we create, but how we support each other through the act of creating.”

Why New Producers?

“I applied for the Producers Programme because, after spending time working and exhibiting nationally, I felt it was only natural to reconnect with my local creative community after my time away. I wanted to “come home” in a professional sense, to explore what’s possible here in the Black Country and West Midlands, and to invest my energy into building something meaningful where I live.

Alongside this, I’m in the process of expanding Deorum Studios beyond design services into more event-based, community-focused work. We’ve been developing a series of workshops and live events that celebrate art in every format, particularly how our own mental health and experiences have shaped the art we create. For example, one of our main ideas is an event called ‘Echo’. Whilst we can’t give too much away right now, we hope to make it as community orientated as possible, partnering with organisations and individuals to do so.

Ultimately, I applied because I want to grow, not just as an artist, but as someone who can contribute meaningfully to life in this community in whatever context, be it big or small. I believe that developing and delivering events locally has the potential to create a lasting impact, and I’m ready to build those foundations here.”

Highlights of the programme so far

“What I’m enjoying most about the New Producers programme so far is the way it actively challenges me to participate and speak up, rather than simply observing from the sidelines. The approach of “talking ideas into existence” has been especially beneficial for me, it’s encouraged me to voice ideas I might normally keep to myself, and to start shaping them into something real through discussion and feedback.

The group activities and collaborative atmosphere have also been a huge part of that growth. China Plate and the Wolverhampton Arts Centre (WAC) created a space where it feels safe to contribute, experiment, and be heard. As someone who has often preferred to blend into the background, I’ve found this to be a really valuable way to build confidence and trust in my own creative thinking. It’s not always comfortable, but that’s exactly why it’s working. I’m learning to take up space, to articulate my ideas more clearly, and to trust that they have value, especially when shared in a supportive group.”

What Hunter loves about Wolverhampton

“My favourite thing about living in Wolverhampton and the Black Country is the unique mix of city energy and rural scenery. For example, places like Pendeford Nature Reserve, Smestow Valley Local Nature Reserve and West Park are places I often visit to concept sketch.

There’s something special about being able to escape into nature just a short distance from the hustle and bustle those quiet moments on woodland paths offer a real sense of calm.”

Looking ahead: Hunter’s dream project

“My dream event in five years’ time is to create “Wolverhampton Wellbeing Festival” a vibrant two- to three-day festival entirely focused on art and mental health, designed to bring together artists and communities in meaningful, creative discussions. Building on the themes I’ve explored in my work, particularly around identity, belonging, and emotional wellbeing, this festival would offer a safe, welcoming space where people can engage with diverse artistic practices and explore how creativity supports mental health.

“Wolverhampton Wellbeing Festival” would feature a range of workshops and activities covering ceramics, illustration, photography, poetry, and more—all carefully designed to encourage self-expression, reflection, and mental wellbeing. For example, ceramics sessions could focus on the therapeutic qualities of working with clay, while poetry and writing workshops would invite participants to explore their inner worlds and much so much more.

Alongside workshops, there would be artist talks, panel discussions with mental health professionals, and live performances, creating a holistic programme that bridges creative practice and wellbeing. The festival would also emphasise accessibility and inclusivity, ensuring that people from all backgrounds and experiences feel welcome and supported.

Ultimately, “Wolverhampton Wellbeing Festival” aims to highlight the relationship between art and mental health, promoting resilience, empathy, and wellbeing. Finally, this festival would be an opportunity to bring together local communities, artists, and mental health advocates in a shared journey towards greater understanding and care.”

A final fun fact

“I can’t see colour properly despite using it a lot in my work!”

Stay tuned for more New Producers 2025 spotlights as we continue to celebrate the talented creatives shaping the future of arts and culture here in the Black Country.